About me

My artistic practice operates in the tension between inner perception and outer reality. In my sculptural and visual works, I explore how emotions, memories, and social structures can be transformed into visible forms. This creates figurative visual worlds that oscillate between fragility and strength, inspiring the viewer to develop their own associations and emotional resonances.

A central motif of my work is transformation – making hidden processes visible: inner experience, temporality, change and the fragile balance between chaos and order.

Clay has become my preferred material. Its tactile presence, strength, and fragility embody the ambivalence of human existence that underlies my work. In addition to figures and body fragments, I also create animals, objects, and large-scale installations, often in dialogue with other materials.

My creative process is characterized by an interplay of intuition and reflection. Spontaneous inspirations, deliberate interruptions, and phases of contemplation often lead to unexpected twists and turns, giving the works their organic development. The unvarnished, naked depiction of my figures emphasizes the universality of human existence and opens up direct access for the viewer.

My experience in physical theater allows me to incorporate body awareness, dynamics, and performative elements into my work. Each figure becomes a silent narrative—open, fragmented, and emotionally penetrable. This creates a space in which viewers feel invited to explore their own inner landscapes.